Environmental Issues Of The North Carolina - 1651 Words

Living in North Carolina, there is a wide array of environmental issues that ranges depending on where you are in the state. In some locations the issues of factory farming and the runoff that is spread over miles of the local environment through spraying. In others, it is about the unstainable methods of harvesting lumber over large areas of our national forests and how over time we are damaging these ecosystems so badly that they will have a very difficult time recovering. But the issue that is the closest to me and carries the highest potential for environmental harm is the desire to begin offshore drilling. Offshore drilling is defined as† The operation of oil wells on the continental shelf, sometimes in water hundreds of feet deep† according to dictionary.com. This method of drilling is a very common form, being used throughout different locations offshore everywhere in the world, the first being in 1897 according to howstuffworks.com. The locations of oil are found by two main methods. The first one is by finding magnetic occurrences that are in natural in the ground. If readings found a steady amount of magnetism over a general area then suddenly a large decline, they could have found the location of an oil deposit. But to ensure that is in fact a trap, the second method called sparking. â€Å"sparking is sending shock waves down through the water and into the ocean floor.† This allows ships above to be able to read the ground below and see at different locations whereShow MoreRelatedImpact Of Global Warming On North Carolina1728 Words   |  7 PagesRepercussions of Global Warming in North Carolina To begin to comprehend the scope and dynamics of the projected effects of Global Warming on different sectors of North Carolina one has to understand the basics of this particular phenomenon. What exactly is Global Warming? According to EPA.gov: â€Å"Global warming refers to the recent and ongoing rise in global average temperature near Earth s surface. It is caused mostly by increasing concentrations of greenhouse gases in the atmosphere. Global warmingRead MoreA Brief Note On Environmental Injustice And Fracking1341 Words   |  6 PagesCourtney Kennedy October 8, 2015 Environmental Injustice and Fracking Recently, North Carolina has been conducting pilot studies to determine whether or not hydraulic fracturing should be pursued in the state’s shale beds, a topic that causes much polarized debate. Hydraulic fracturing, otherwise known as â€Å"fracking,† uses water, sand, and chemicals to release natural gas from as far as 10,000 feet below the Earth’s surface. 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A few years ago, North Carolina became the primary location for large-scale hog-raising operations. In particular, large companies like Coharie Hog Farm and Murphy Family Farms began locating along the eastern side of Interstate 95. This area was found to be suitable for hog farming because it is a coastal plain where the land is flat, the rivers wide and human habitation scattered (The Brown Lagoon 24). The state of North Carolina was also favorable forRead MoreWater Quality Measures For North And S outh Carolina Coasts1591 Words   |  7 PagesThis project evaluates drought and water quality measures for North and South Carolina coasts. It provides a better understanding of how drought may affect the coastal region’s water quality. The project supports the National Integrated Drought Information System and the Carolinas Integrated Sciences and Assessments. It contributes to the Drought Early Warning System for the Carolinas. Individual questions are brought to attention during the data collecting process. Overall this project is to determine

Murmuring Judges Essay Example For Students

Murmuring Judges Essay Is Arthur Miller really Americas finest living playwright, as the British like to tag him, or has he been conveniently drafted to serve that necessary function in the ecology of the English theatre? This country, after all, likes nothing better than lionizing American intellectuals and artists who have been either ignored or undervalued at home. Only two years ago, Stephen Sondheim found himself telling an Oxford University audience that he was glad to have worked on Broadway lest the English, in their adoration, hold him hostage forever at the National. We will write a custom essay on Murmuring Judges specifically for you for only $16.38 $13.9/page Order now Miller, by contrast, unequivocally embraces the worshipful British. Its a good thing too, since hes new play, The Ride Down Mt. Morgan, now receiving its world premiere production at Wyndhams Theatre, is going to need all the good will that the British   or anyone else   can bring to it.Miller has been working on this play for most of the past decade and claimed to have found the ideal collaborator for it last season when director Michael Blakemore staged the belated London premiere of After the Fall at the National. Add in a producer, Robert Fox, and a star, Tom Conti, who are among the West Ends savvier participants, and the ingredients couldnt seem surer for success. The one thing no one apparently paused to assess was the fundamental illogic and wrongheadedness of the play itself.Mt. Morgan takes place in an upstate New York hospital, and the curtain rises on a bedridden Conti, his torso and arm in a plaster cast, looking as waylaid as he did on Broadway in his star-making performance in Whose Life Is It, Anyway? But this play, unlike its predecessor, doesnt keep Conti in bed for long. As Lyman Felt, the actor is soon rising to enact flashbacks and fantasy sequences that shift the time and place of the action and bring on such characters as Lymans lawyer friend-and-confidant and his shroud-bearing pickle-salesman father.Badly injured after a car accident on a mountain, Lyman learns to his distress that his hospitalization has brought together for the first time in nine years of bigamy his two wives: the older Theo (Gemma Jones) and the 30-ish Leah (Clare Higgins). What ensues begins as a comedy of morality and quickly collapses into an agonized sermon. Im miserable, lost, condemned, Lyman wails into the void, finally left with no one but the nurse (Marsha Hunt) for comfort. He cleverly leaves out the self-assessment which most audiences will all too happily make for him   Lyman Felt is an unabashed shit.I have to consent to Lyman and to condemn him, Miller road interviewer Melvyn Bragg in a TV special aired shortly after the Oct. 31 opening. But the condemnation barely exists. To be sure, each of the wives gets a you are monstrous diatribe, but they are hard to take seriously coming from such outright types. Theo is the repressed ministers daughter, the high-minded gentile acted by Jones on a sustained note of shrillness; Leah, the libidnous Jew, is appealing in Higginss capable hands though no less a cliche. Its interesting to note that the casting fudges a potential source of odium: If, as the script indicates, there really is a two-decade age difference between Lyman and Leah, then the latter would be about the same age as his daughter by Theo, a parallel which makes his midlife lust seem particularly suspect. But Miller is far too interested in exonerating Lyman ever to put him on the rack. Director Blakemore has repeatedly shown a sympathetic deftness with new scripts that eludes him here. Perhaps the problem is just that Mt. Morgan has its sympathies wrong from the start. You dont have to love a plays central character for a play to work, but if youre going to make him so unpleasant, its best not to try and play the apologist, as well. .u3819bfea0930616369327faef0d85155 , .u3819bfea0930616369327faef0d85155 .postImageUrl , .u3819bfea0930616369327faef0d85155 .centered-text-area { min-height: 80px; position: relative; } .u3819bfea0930616369327faef0d85155 , .u3819bfea0930616369327faef0d85155:hover , .u3819bfea0930616369327faef0d85155:visited , .u3819bfea0930616369327faef0d85155:active { border:0!important; } .u3819bfea0930616369327faef0d85155 .clearfix:after { content: ""; display: table; clear: both; } .u3819bfea0930616369327faef0d85155 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u3819bfea0930616369327faef0d85155:active , .u3819bfea0930616369327faef0d85155:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u3819bfea0930616369327faef0d85155 .centered-text-area { width: 100%; position: relative ; } .u3819bfea0930616369327faef0d85155 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u3819bfea0930616369327faef0d85155 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u3819bfea0930616369327faef0d85155 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u3819bfea0930616369327faef0d85155:hover .ctaButton { background-color: #34495E!important; } .u3819bfea0930616369327faef0d85155 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u3819bfea0930616369327faef0d85155 .u3819bfea0930616369327faef0d85155-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u3819bfea0930616369327faef0d85155:after { content: ""; display: block; clear: both; } READ: NEA announces new slate of grants EssayNo one could ever accuse David Hare of apologizing for his characters. This is one playwright who loves figures of Good and Evil writ large, and it was the great achievement of The Secret Rapture in London to be that rare play to make Good the more dramatically provocative abstraction. Hares 1990 Racing Demon accomplished even more, using four South London clergymen as a prism through which to filter the most stirring state-of-the-nation piece Britain has seen in an age. Hares new play at the National, Murmuring Judges, continues the inquiry Racing Demon began its the second in a planned trilogy about British institutions but this t ime the debate restricts rather than opens out. Billed as a work about the clergy, Racing Demon was much more than that; Murmuring Judges, though, really is just what the blurb on it says; a play about the law, no more, no less.Hare has certainly done his homework, and the work of his researchers (two receive credit in the program) is amply evident. Characters are forever spouting statistics theyd be unlikely to possess in real life, and declaiming position papers rather than holding conversations. By the end, one wonders whether the National bookstore should bother to stock the text or, instead, opt for a point-by-point agenda entitled Murmuring Judges: The Pamphlet. American theatregoers weary of the absence of politics in homegrown plays will have a field day here. In Hares legal world, all anyone does is opine; gone are the private lives that gave Racing Demon its troubling and heartbreaking pulse.The plot centers on Irina Platt (Alphonsia Emmanuel), a black barister Antiguan by birth defending a young Irishman wrongly imprisoned on a trumped-up bank-raid charge. Irinas soulmate is a white policewoman (Lesley Sharp) who similarly learns that the system stinks. The play moves from Londons inns of court to the Royal Opera House, from a police station to a prison cell, and director Richard Eyre and designer Bob Crowley triumphantly orchestrate its cinematic sweep. The first act brings the disparate locales thunderingly together to the musical accompaniment of The Magic Flute a staging coup of which both men should be proud.The actors tend to be better the smaller (and therefore less sententious) their roles, and its disconcerting to hear one character poke fun at Sally Field-style heroics when those describe precisely the actions of the two main women. Hare being Hare, Murmuring Judges has its share of bite: Theres a great what England does well Hare-angue, yoking a national facility for cream teas to a penchant for sending people to jail. But its the production, not the play, that warrants attention, as Eyre and Crowley steam confidently ahead long after the writing has run out of wind.